Clarke, Austin, read by Nigel Shawn Williams
$39.992016 OCM Bocas Prize for Caribbean Literature (Longlisted)
2016 RBC Taylor Prize (Longlisted)
The unforgettable memoir of Giller Prize–winning author and poet Austin Clarke, called “Canada’s first multicultural writer.”
Austin Clarke is a distinguished and celebrated novelist and short-story writer. His works often centre around the immigrant experience, of which he writes with humour and compassion, happiness and sorrow. In ’Membering, Clarke shares his own experiences growing up in Barbados and moving to Toronto to attend university in 1955 before becoming a journalist. With vivid realism he describes Harlem of the ’60s, meeting and interviewing Malcolm X and writers Chinua Achebe and LeRoi Jones. Clarke went on to become a pioneering instructor of Afro-American Literature at Yale University and inspired a new generation of Afro-American writers.
Clarke has been called Canada’s first multicultural writer. Here he eschews a traditional chronological order of events and takes the reader on a lyrical tour of his extraordinary life, interspersed with thought-provoking meditations on politics and race. Telling things as he ’members them.
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Austin Clarke is one of Canada’s most distinguished writers whose work includes ten novels, six short-story collections, three memoirs, and two collections of poetry. His novel The Polished Hoe won the 2002 Giller Prize. Clarke is a member of the Order of Canada, holds four honorary doctorates, and has been awarded the Commonwealth Writers’ Prize, the W.O. Mitchell Prize, and the Casa de las Américas Prize, among others. In his fifty-year career, he has worked as a journalist, a professor, and a cultural attaché in Washington D.C., while publishing acclaimed fiction, non-fiction, and poetry. He lives in Toronto.
Published: September 2020
ISBN: 9781773055503
Duration: 24:24
Originally published by: Dundurn
“A magnificent account of a writer’s life.” — Globe and Mail
“[A] brilliant free-range style of writing, which is enfolded in discussions of ideas, interaction with other writers and fragments of [Clarke’s] own memories and reflections of ’membering.” — Literary Review of Canada