A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever
Fully revised and updated, with a foreword by Vivek Shraya
“A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara
In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records.
With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.
Available October 15, 2024. PRE-ORDER NOW!
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Andrea Warner lives in Vancouver, BC, on the territories of the Musqueam, Squamish, and Tsleil-Waututh First Nations. Her books include The Time of My Life: Dirty Dancing, Rise Up and Sing! Power, Protest, and Activism in Music, and Buffy Sainte-Marie: The Authorized Biography.
Published: October 2024
ISBN: 9781770417748
Dimensions: 5.25 x 8.25 in.
Pages: 264
“From the mind of one of our country’s finest writers, We Oughta Know is a history lesson in how misogyny marked the stratospheric careers of Canada’s four biggest female music superstars. A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara
“Andrea Warner does not hold back. Each sentence — whether piercing, scathing, funny, or loving — is wrapped in lace or barbed wire and underlined in smudged mascara and blood. We Oughta Know is a reminder for music lovers to be fiercely true to ourselves and our sisters as we move forward with songs as our torch on these still dark and dangerous streets.” — Tara MacLean, musician and author of Song of the Sparrow
“Andrea Warner pointedly eviscerates the blatant sexism of the music press but also deftly interrogates our own complicity in reinforcing stereotypes — and pinpoints both the shortcomings (and upsides) of the ongoing 1990s resurgence. Thought-provoking, smart and vulnerable, We Oughta Know is the book on ’90s music I’ve always wanted to read.” — Annie Zaleski, author of Lady Gaga: Applause
“This delicious book is cohesive, deep, incisive, feminist — and fun.” — Jessica Hopper, author of The First Collection of Criticism by a Living Female Rock Critic