“[Mendelson Joe] paints with more emotion than almost any other painter in the country. It comes through blazingly in the colours of his ‘Working Women’ series.” — Toronto Star
In the words of Mendelson Joe: “My purpose in my work, any of it from song to essay to picture, is to tell the truth and it seems that most truth ain’t couth. Inequality bugs me. Prejudice bugs me. And, I’ve long believed that women are the only hope for this ever-degrading organism that mothered us all. So, in 1982, I began to paint portraits of women. The purpose was to document women in the context of their job descriptions, so the pictures showed them as working folks as opposed to sexual objects.” For years, Mendelson Joe has been painting portraits of women, some of them prominent (Anna Banana, Doris Anderson, Irshad Manji, June Callwood, Jane Siberry), and some less so. Along with faithful reproductions of the original paintings, Joe has added his own brand of particular comments about the subject and the sessions.
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Mendelson Joe was initially known (then, as Joe Mendelson) as part of McKenna Mendelson Mainline, an early 1990s blues band best-known for their album Stink. From the mid-90s on, Joe developed as a painter. He was captured in the biography Alien: The Strange Life and Times of Mendelson Joe, written by Nadia Halim. His paintings have been widely collected and many are reproduced in a series, Joe’s ____. Joe died in February 2023 at the age of 78.6. A tribute evening was held March 28, 2023 and featured 18 writers, singers, friends, and assorted riffraff. 10-4.
Published: November 2004
ISBN: 9781550226713
Dimensions: 6.25 x 9.25 in.
Pages: 102