Cover: Farhang: Book Two by Patrick Woodcock.

Farhang: Book Two

Woodcock, Patrick

$16.99
  • Every poem in this volume was conceived and written over two years in Iqaluit, Nunavut, along the Apex Trail, among the rocks and rivers of Sylvia Grinnell Park. Steeped more deeply in symbolism and surrealism, Farhang: Book Two binds the natural world through which Woodcock walked to his need to artistically archive a life before memory distorts it — before truth turns to fable, and fable to forgetting.

    In Farhang: Book Two, Patrick Woodcock continues to celebrate, honor, and mourn the world he’s witnessed during three decades as a migrant writer. After expanding upon the Farhang character in the book’s opening section, he then turns inward — abandoning the lyric “I” for an intimate, universal “you.” In this voice, “you” may become a boat, a raven, a wooden cross fashioned from a transport skid — or even a beloved Rubens painting drifting across Frobisher Bay.

    Structurally, this collection departs from the geography of its predecessor, no longer dividing its poems by country. Instead, it threads together fragments from more than 40 nations, interwoven within each poem to evoke the shared pulse of humanity — the universality of joy and mourning, of celebration and loss — revealed in the ways we honor our dead and the instruments we raise to praise the living.

    Available October 6, 2026. PRE-ORDER NOW!

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  • Patrick Woodcock is the author of 10 books of poetry and one collection of short stories. His work has been translated and published in 14 languages. He works for United for Literacy and divides his time between Toronto and Nunavut as the instructor/coordinator for its Nunavut Justice Program, for which he won the Council of the Federation Literacy Award.

  • Published: October 2026

    ISBN: 9781770419100

    Dimensions: 5.5 x 8.5 in.

    Pages: 136

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Reviews

Farhang: Book II, Patrick Woodcock’s eleventh book of poetry, is a striking and immersive collection that moves with rare confidence between geographies, inner weather, and moral tension. Built on a disciplined structure yet alive with restless motion, the poems carry the reader across ice, sea, and memory, where landscape is never passive. It presses back, shapes thought, and demands a response.” — The Galway Review